Freedom Suits Memorial Project
Sculpture at Civil Courts Building
Commemorates Legal Effort Here to Free Slaves
Court loans Dred
Scott documents for national Supreme Court exhibit
Depositions
from original Dred Scott case, 1847
Missouri History Museum:
Famous for Freedom Suits
From
the time of the Louisiana Purchase until the Emancipation Proclamation 57
years later, approximately 400 courageous slaves filed suits in Missouri
Courts to demand their freedom, assisted by lawyers working without pay.
Of
course, it was a great challenge for a slave to get to court, but once there,
they had a legal precedent on their side: “Once free, always free.” Under this
theory, the courts had held that a slave who had been moved to a free state or territory for any length of time then returned
to a slave state or territory could sue for his or her freedom.
A
group of anti-slavery lawyers in the St. Louis region believed that through the
courts, they might extend this legal theory and ultimately end the abomination
of slavery in the United States without a violent struggle.
They
succeeded in freeing many slaves, including Dred and Harriet Scott.
Unfortunately for the Scotts, their original owner died while their case was
pending. The owner’s widow and her brother appealed the St. Louis verdict,
which went all the way to the U.S. Supreme Court. The resulting decision is
generally considered the worst in the history of the Supreme Court. It held
that all people of African ancestry — slaves as well as those who were free —
could never become citizens of the United States and therefore could not sue in
federal court. The court also ruled that the federal government did not have
the power to prohibit slavery in its territories.
The
decision in 1857 propelled the United States toward the Civil War four years
later.
Raising Funds in the Legal
Community
A
memorial commemorating these St. Louis litigants, their attorneys and St. Louis
Judges is planned for the east plaza of the Civil Courts Building downtown.
Fundraising from private sources will begin immediately, focusing on members of
the legal community. Tax-deductible donations may be made to the St. Louis Bar
Foundation (www.stlouisbarfoundation.org),
a 501(c)3 organization. In the memo field of the
check, please specify “Freedom Suits Memorial.”
Checks
may be mailed to:
St. Louis Bar
Foundation
555 Washington Ave., Suite 100
St. Louis, MO, 63101-1249
Well Known Sculptor
In August 2015, The Freedom Suits
Memorial Steering Committee published a request for proposals from regional
artists for a memorial sculpture. In March, the committee selected sculptor Preston Jackson’s design for a dynamic visual narrative to memorialize the
hundreds of courageous slaves and lawyers who went to court in St. Louis to sue
for their freedom from 1806 through Emancipation in 1863.
The
Illinois Top 200 Project recently ranked Jackson No. 6 in the category of Illinois
artists and architects behind the likes of Frank Lloyd Wright and Mies van der Rhoe. And he is the
first individual on the list who is still living.
Jackson
is a professor emeritus at the School of the Art Institute in Chicago, where he
continues to teach foundry techniques. He is owner of a gallery in Peoria,
Ill. A specialist in cast bronze, his works include dozens of public
sculptures, including a statue of Miles Davis in Alton; “Acts of Intolerance”
in Springfield, Ill., celebrating the 100th anniversary of the NAACP; and “From
Cottonfield to Battlefield” in Decatur, Ill.,
memorializing Abraham Lincoln’s decision to permit African American soldiers to
fight in the Civil War.
His
design for the Freedom Suits Memorial calls for a cast bronze work 8 feet wide
by 4 feet deep and 14 feet tall. Each angle of the sculpture will be a
pictorial lesson on the lawsuits and the times. It will incorporate both
free-standing and relief sculptures in a construction recalling the dome and
cupola of the Old Courthouse.
“This
is a very important project, which fits my life’s work, telling the visual
history of our country in a compelling and effective manner that is appropriate
for all,” Jackson said. “I feel it is imperative that the descendants of slaves
see themselves as strong people, as survivors, and this sculpture will
certainly send that important message.”
Honoring an American Ideal
St.
Louis Circuit Judge David C. Mason, who first conceived the memorial, said,
“The design vividly shows how two centuries ago, St. Louis provided proof for
the American ideal that even those with least means can achieve justice through
the courts. It is likely this work will become another sculptural icon for St.
Louis.”
Paul
N. Venker, chairman of the steering committee, said,
“This moving memorial compels us to reflect upon how the least powerful among
us, courageously exercising what imperfect legal rights they had, initiated
what can only be described as nation-altering change. We honor these African Americans who chose
the Rule of Law, and the lawyers and judges who embraced the Spirit of Justice
to help them.”
The bronze sculpture was
erected and dedicated in June 2022 on the east side of the Civil Courts Building in downtown St. Louis.
It was aligned with the Gateway Mall and the Old Courthouse where most of these suits including that of
Dred and Harriet Scott were tried.
The
12-person steering committee included members of the court, local lawyers, academicians,
arts leaders and others. The St. Louis Bar Foundation led fundraising efforts.
More information about the memorial sculpture project is available from Joel Currier,
chief communications officer for the 22nd Judicial
Circuit. He can be reached at 314-622-5685 or joel.currier@courts.mo.gov.